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David Adolf Constant Artz (The Hague, 1837 – The Hague, 1890) was a 19th-century Dutch painter and collector who associated with some members of the Hague School. ==Biography== From 1855 to 1864 Artz trained with Johannes Egenberger (1822–1897) and Louis Royer (1793–1868) at the Amsterdam Academie.〔(David Adolph Constant Artz ) in the RKD〕 There he met Jozef Israëls, whose fishing subjects were to be a lasting source of inspiration for Artz. He worked with Israëls in Zandvoort in 1859.〔 Unlike Israëls, however, Artz depicted only the more cheerful sides of the fisherman’s life. From 1855-1864 he was a member of the Rijksakademie van beeldende kunsten in Amsterdam.〔 Technically, he distinguished himself from Israëls in his use of sharp outlines and bright colour. Between 1866 and 1874 Artz stayed in Paris where he set up his own studio at the suggestion of Courbet. In Paris he maintained close contacts with his colleagues Jacob Maris and Frederik Kaemmerer (1839–1902) as well as the art dealer Goupil & Co. During this period Artz produced mainly fashionable genre scenes and a number of Japanese subjects. His control over line and colour became more powerful. In 1874 he returned to The Hague where he was a member of the Hollandsche Teekenmaatschappij and in 1879 he was awarded the Order of the Oak Crown by William III of the Netherlands.〔 Image:WLANL - artanonymous - Terugkeer van de kudde.jpg|''Return of the flock''. Adolph Artz, 1865. Image:David Adolph Constant Artz - Bij grootmoeder.jpg|''At grandmother's''. Adolph Artz, 1883. Image:David Adolph Constant Artz - In het weeshuis te Katwijk-Binnen.jpg|: ''In the orphanage at Katwijk-Binnen''. Adolph Artz, 1870 - 1890. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Adolph Artz」の詳細全文を読む スポンサード リンク
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